![]() You can also browse USC's Special Collections. Republic Pictures: Some archival materials available at USC Performing Arts Collection.The studio also has an in-house archive not open to the public, including many musical scores. Paramount: The most extensive institutional holdings from Paramount are housed at the Margaret Herrick Library, including production records, scripts, press sheets, and contract summaries.However some content is available such as art, legal productions and wardrobe departments as well as scripts, architectural set plans, the studio's in-house research library collection at the Los Angeles Public Library. For instance, all of its musical material, including orchestra arrangements and parts, were discarded in the late 1960s. Metro-Goldwyn-Mayer (MGM): There is no fully centralized or comprehensive archive available for MGM, and unfortunately some of the studio's archival records were likely discarded.UCLA owns some publicity ephemera from 1938-1980s. Disney: Disney maintains an extensive in-house archive, but it is not open to the public.CBS: UCLA holds music-related manuscripts, books, printed music, sound recordings and business papers relating to CBS productions from 1955-1983. ![]() Suggestions and information leads for this list are encouraged! However, the papers of individuals (actors, directors, producers, screenwriters, costumers, etc.) connected with specific studios may also be available in other locations throughout the country, and are not listed here. The following is a working list of known locations with significant print archival holdings documenting specific studios, including those collections not held in publicly accessible institutions. Here is list of locations that may be of use. Studio Archives can be difficult to locate. He has been a Guest Fellow at Yale University and teaches film animation at the Tisch School of the Arts, New York University. 1943) is an internationally recognized animator, animation historian, teacher and lecturer. The largest amount of both documentary and graphic materials in the collection relate to Walt Disney and his studio and to Canemaker's own extensive creative activity. The collection's emphasis is not on original material, though, but in providing sources for the history of film animation through reproduction of early material and secondary sources in an accessible format. Summary: While the collection includes copies of material dating from the beginnings of film animation at the end of the nineteenth century, original material is concentrated in the late 1970s and the 1980s. It is a source of information on personalities and subjects, both American and foreign, important to the history of film animation. # Notes: Summary: The collection consists of documentary and graphic materials. # Restrictions/Permissions: Collection is subject to donor restrictions.
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